Catalogue description The Papers of Lydia Lopokova Keynes

This record is held by Cambridge University: King's College Archive Centre

Details of GBR/0272/LLK
Reference: GBR/0272/LLK
Title: The Papers of Lydia Lopokova Keynes
Description:

This collection comprises materials related to the performances of Lydia Lopokova Keynes, pieces of her writing, correspondence, and other items that chronicle her life, including photographs, diaries, scrapbooks and reminiscences by others. Although the collection covers a variety of topics, Lydia's professional interests have led to a concentration of items concerning the subjects of ballet and drama.

Date: 1903-1986
Related material:

For the papers of Lydia Lopokova's husband, John Maynard Keynes, see King's College Archive Centre, Cambridge, JMK.

Held by: Cambridge University: King's College Archive Centre, not available at The National Archives
Language: English
Creator:

Keynes, Lydia Lopokova, 1892-1981, ballet dancer

Physical description: 136 boxesvolumes
Restrictions on use:

For permission to quote in print from the unpublished papers, apply to the Librarian, King's College, Cambridge CB2 1ST. For permission to quote in print from those writing of Keynes which were part of the 'Collected writings' series, contact the Archivist for further details.

Immediate source of acquisition:

Dr. Milo Keynes deposited the papers of his aunt in King's College Library in 1983.

Publication note:

The biographical note provided in the introduction to this catalogue was taken from 'Lydia Lopokova', ed. Milo Keynes (London: Weidenfeld and Nicolson, 1983).

Administrative / biographical background:

Lydia Lopokova was born in St. Petersburg in 1892 and trained at the Imperial Ballet School. She left Russia in 1910, joining the Diaghilev ballet for the first time. She stayed with the ballet only briefly, however, leaving for the United States after the summer tour, where she remained for six years. She rejoined Diaghilev in 1916, dancing with the Ballets Russes, and her former partner Vaslav Nijinsky, in New York and later in London. She first came to the attention of Londoners in 'The Good-humoured Ladies' in 1918, and followed this with a raucous performance with Leonide Massine in the Can-Can of 'La Boutique Fantasque'.

 

When her marriage to the company's business manager, Randolfo Barrochi, broke down in 1919, the dancer abruptly disappeared, but she decided to rejoin the Diaghilev for the second time in 1921, when she danced the Lilac Fairy and Princess Aurora in 'The Sleeping Princess'. During these years she became a friend of Stravinsky, and of Picasso, who drew her many times. She also quickly became familiar with the members of the Bloomsbury set, and was introduced to her future husband, John Maynard Keynes. They married in 1925, once her divorce to Barrochi had been obtained.

 

Besides being involved in the early days of English ballet, Lydia Keynes appeared on the stage in London and Cambridge from 1928 and broadcast on the BBC. She lived with J.M. Keynes in London, Cambridge and Sussex until his death in 1946, and continued to live in the same places thereafter, although she largely disappeared from public view. Lydia Lopokova Keynes died in 1981, aged eighty-eight.

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