This record is held by Museum of English Rural Life

Details of P DX323
Reference: P DX323

The negatives are arranged into three main series. The "early series" of half plates date from 1905 until the mid 1930s and are arranged by location (E1-226). The "late series" of quarter plates date from the mid 1930s until the 1960s and are also arranged by location (L1-87). Miscellaneous (non-topographical) items are arranged by subject (M1-34).


Collier's original numbers are given in round brackets and have been used to date items in many cases. The system of dating was devised by David Collins by comparing Collier's serial numbers with postmark dates on surviving postcards.


There are no original prints or postcards in this collection, but items are printed systematically to form an archive set (P1). A number of duplicate or receipt books survive (P2-): these record sales of calendars and other goods by Collier.

Date: 1905 - 1960's

P DX323/E1-226 Negatives (half plate glass / paper)


P DX323/L1-87 Negatives (quarter plate glass)


P DX323/M1-34 Negatives (half and quarter plate glass and paper)


P DX323/P1 Prints (archive set)


P DX323/P2 Receipt books

Held by: Museum of English Rural Life, not available at The National Archives
Language: English

Collier, Philip Osborne, 1881-1979, photographer

Physical description: 6192 photographs
  • Reading, Berkshire
  • Berkshire
  • Hampshire
  • Oxfordshire
  • Surrey
  • Wiltshire
  • Buckinghamshire
  • Artists
  • Photography
Administrative / biographical background:

Phillip Osborne Collier (1881-1979) was a commercial photographer and postcard publisher working in Reading from around 1905. He formed a partnership for some years with fellow photographer Eric Guy during the 1920s. Collier worked prolifically, and seems to have destroyed many of the negatives he created at some time before 1945. Many more were destroyed after his death. Those that survived were purchased by the Rural History Centre from his daughter in 1983. Many postcards produced by Collier from these negatives survive, principally in the hands of private collectors.

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