Catalogue description Lead Belly and Victoria Spivey [T17]

This record is held by Oxford Brookes University: Special Collections

Details of POAAAM/3/1/4/17
Reference: POAAAM/3/1/4/17
Title: Lead Belly and Victoria Spivey [T17]
Description:

Duration: 2:43:51

Tape containing dubs of Lead Belly’s last sessions (continuing from tape T16) and other Lead Belly records, a segment from a BBC radio programme presented by Paul Oliver (apparently taped over the Lead Belly material), and two records on Victoria Spivey’s label.

Side 1:

[0:00:03] Leadbelly's Last Sessions, vol. 2 (Folkways, 1953), side C [continued from tape T16]:

01. Sweet Mary (3:10)
02. Irene (2:40)
03. Easy, Mr. Tom (2:12)
04. In the Evening, When the Sun Goes Down (2:51)
05. I'm Alone Because I Love You (2:52)
06. House of the Rising Sun (2:21)
07. Mary Don't You Weep (1:55)

[0:18:31] Leadbelly's Last Sessions, vol. 2, side D:

08. Talk about Fannin Street (3:41)
09. Fannin Street (3:37)
10. Sugared the Beer (1:37)
11. Didn't Old John Cross the Water (1:58)
12. Nobody Knows You When You're Down and Out (3:16)
13. Bully of the Town (2:04)
14. Sweet Jenny Lee (1:52)
15. Yellow Gal (2:04)
16. He Was the Man (3:48)
17. We're in the Same Boat, Brother [intro only - cuts to next track]
18. Leaving Blues (2:37)

[0:45:24] 19. Lead Belly - Cotton Fields [cuts out]

[0:47:19] 20. Excerpt from a BBC radio programme broadcast in November 1963 (presumably The Jazz Scene on the Light Programme, 17 Nov) in which Paul Oliver discusses the recent sixtieth birthday of Big Joe Williams and the American Folk Blues Festival tour dates in Croydon, with clips of live recordings of Williams, Memphis Slim & Willie Dixon (with Matt “Guitar” Murphy), Sonny Boy Williamson II, Lonnie Johnson, and Muddy Waters. Oliver complains that Williams is the only performer on the bill to whom the label ‘folk’ could accurately apply.

Lead Belly - Rock Island Line (Folkways, 1953), side B:

[1:00:27] 21. Lead Belly - On a Monday [second half only]
[1:01:05] 22. Shorty George
[1:02:38] 23. Duncan and Brady
[1:03:37] 24. Old Riley
[1:06:12] 25. Leavin’ Blues
[1:07:46] 26. Pigmeat

Lead Belly - A Lead Belly Memorial, vol. 3 (Stintson, 1952) [released in the UK as The Saga of Leadbelly; two tracks are omitted from this dub]:

[1:09:59] 27. Red Cross Store Blues
[1:13:17] 28. Ham and Eggs
[1:16:14] 29. Red River Blues
[1:18:05] 30. In the Pines
[1:19:20] 31. You Don’t Miss Your Water
[1:20:38] 32. Blind Lemon
[1:22:09] 33. Lead Belly’s Dance
[1:23:09] 34. In the Evening When the Sun Goes Down
[1:25:52] 35. Alberta

Side 2:

Victoria Spivey - Victoria Spivey & Her Blues (Spivey Records, rec. 1962):

[1:29:24] 01. Grant Spivey [song about her father]
[1:33:26] 02. Please Let Me Depend on You
[1:37:01] 03. Talk About Moanin’
[1:39:53] 04. Mr. Daddy
[1:43:25] 05. So Long Buddy
[1:46:26] 06. From Broadway to 7th Ave.
[1:49:49] 07. Brooklyn Bridge
[1:54:44] 08. Thirty Years
[1:58:09] 09. Cool Papa
[2:00:49] 10. New York Moan
[2:03:35] 11. New York Tombs
[2:07:27] 12. Buddy Tate

Buddy Tate, Victoria Spivey, Lucille Hegamin, and Hannah Sylvester – A Basket of Blues (Spivey Records, 1962) [sides A/B dubbed in reverse order]:

[2:09:55] 13. Victoria Spivey - Got the Best of Me
[2:12:30] 14. Lucille Hegamin - Brown Skin
[2:15:02] 15. Hannah Sylvester - Big Black Limousine
[2:18:35] 16. Victoria Spivey - Blues for Robert Calvin
[2:21:27] 17. Victoria Spivey - Slimy Serpent
[2:24:35] 18. Hannah Sylvester - Hey Big Texas
[2:26:34] 19. Buddy Tate Band - Swingin' Away
[2:30:18] 20. Hannah Sylvester - A Basket of Blues
[2:32:28] 21. Lucille Hegamin - Number 12
[2:35:35] 22. Victoria Spivey - My Debts
[2:38:23] 23. Hannah Sylvester - Mr. Cab
[2:40:22] 24. Lucille Hegamin - He May Be Your Man

Original file name: POAAAM - T17 - Leadbelly - Victoria Spivey

Date: c1963
Held by: Oxford Brookes University: Special Collections, not available at The National Archives
Physical description: 1 item
Access conditions:

All users external to the University are required to register before using the collections. Collections must be viewed in the Special Collections Reading Room and users must abide by the Reading Room regulations.

Have you found an error with this catalogue description?

Help with your research